Kite Flying Weather

by Jessica Austin

Warm autumn winds
roll along the silky spines
of slanted sunbeams
–the happy hour kind
5 to 6
Blink once get one free
an extra breath
when none are guaranteed.

The highest kite on the golden updraft
tilts and dives and splits
cirrus
right in
two,
glints, silver serpent rising
as it slides and glides on nothing but
good fortunes.

That’s all we really need,
good fortunes.

Wish me well
and tie your wishes to the tail
then send send send it
skyward
never to come down.

The weather is just too perfect.
I’d rather cut the string
and let it fly.

Map Making (poem)

Map Making

When the storms roll in
they command me to write.

Thunder cries low in the sky:

Write.

Slices of lightning and high winds drape the landscape —

the scene set to:

Write.

Rain mocks the boundary between the earth and the heavens:

Words

Expand.

They shudder and shiver and bloom.

Write

as if, in a universe various to our own (they exist, let’s be real)
language did not collapse on the tongue
it was not imprisoned and desiccated
like a tree starved for nourishment

Histories Starved for Telling

When it comes

the storm draws out of me the death that I’m dying
everyday

in that
I wake up and fill the prescription and wash it down my throat and the words go with it and I can’t digest them because I don’t know what they are and no one ever told me because their was no one left to name the graves.

So I die a little everyday,
tragically disemboweled of so many stories.

Knowing that
is a surrender
I submit to the storm

the pain

the grief

the inheritance of violence

that I can’t even tell you about because I don’t have the language for that story

but I surrender to it anyway

and
come
out
the
other
side

alive

I am the monster
I am the mess
I am unexpected
and full of rage

and full of the ghosts of wor(l]ds that contain too much

i am uncovered
utterly powerless and weary

I’ve taken shelter here before, in the storm
with its unchartable depths and
unknowable somethings
and it takes me in again and again
and my death and my little dying
and i hold onto
the words
that have blossomed
here

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having no known precursor – unprecedented

in difficult times – we write – 17 mar 2020

It’s not the first time I’ve been furious
or the first time I’ve written to my family,
“I can’t believe people are like this -“

I wish I could say it’s a first
to see authoritarian regimes
grease up the cogs and gears
of their powerful machinery,
shut down dissident voices,
vilify knowledge –

what we don’t know can’t hurt us
until it can

until it does.

It’s not a first for me
to question our notion of progress
especially now,
when the chokehold we have on the world
on our only world
has been loosened because our hands have been tied
by a sickness that moved too fast
too quietly
and took too much.

Unprecedented.

Yet there’s more

there are islands trying to breathe under king tides
unprecedented
ancient hill tops washed away by glacial melt
unprecedented
lush farmland bleached dry in unbelievable heat
unprecedented
the oldest forests in the world
teeming with life –
life smaller than the finest grains of sand
life more connected than each electron in the galaxy –
all that life
burned to ash
unprecedented.

Loved ones lying in a hospital bed
relying on a ventilator for a chance at life
because of a sickness that moved too fast
too quietly
and revealed too much
greed, power, and indifference – –

unprecedented.

If this unprecedented time makes you question
makes you want to get down on your knees and beg –
you should
beg

to learn unprecedented kindness
to open your eyes to unprecedented truths
to listen to those folks who challenge you in unprecedented ways
and respond with unprecedented compassion and support.

Find yourself in the unprecedented situation of asking why
and actually following up with the knowledge
and actually contemplate believing it.

Unprecedented times
call for unprecedented growth
never before felt solidarity

and

that most rare of all birds

– – revolution.

Can we? Will we?

We could make the world what we know it could be.
It would be
unprecedented
and I want it.

Don’t you?

Oh, baby me and her poems…

Who remembers learning how to type on this bad boy? 1997, baby! Fifth grade.

Today I’m preparing for my first edition of a brand new spoken word open mic night, which means I’m trying to figure out where the hell all of my old poetry is deep in the annals of my “backup files” saved, thankfully, in the cloud.
I’ve been writing poetry for basically all of my life. At least all of my memorable life, from the time I was seven or nine years old. My parents read to me a lot, and by the time I was in third grade I was chewing up and spitting out 6th and 7th grade books. By the time I was in 7th grade I was able to read senior-level novels, things that seniors and first-years in college read. But I, of course, lacked the emotional maturity, life experience, or perspective to understand a lot of it.
To celebrate the arrival of new poetry nights that I’ll be hosting in Pokhara Lakeside, I’m going to share some baby-me poems!

What is Gold?
[written by 5th grade, 11 year old baby me! In Mrs. Harper’s 5th grade class]
Gold is the song the angels sing.
Gold is the color on a humming bird’s wing.
Gold is the time spent wishing on a star.
Gold is the way you feel from afar.

The moon is gold on a cool summer’s night.
The fall leaves are gold but only in twilight.
You can smell gold but only in fall.
When the apples are ripe and the wind starts a brawl.
When the leaves are falling
and the sun is brilliantly blinding,
that is the sweet smell of gold.
The taste of gold is simple and sweet.
Like a warm dark night, not black, but not light.

Gold is quiet, bright, calm.
Gold is a light like a beautiful psalm.
A sun in you heart is that is greater than great.
As big as the sunset that can never escape.
Not just a color, but a way that you feel.
When everything’s perfect, and everything’s real.

Our assignment was to write a poem about a color, and I can’t lie I think I nailed that shit. Plus we were learning to type so we used a lot of word art to make our poems look snazzy.

Who tried every style of word art possible? I definitely did.
I definitely played this game in 5th grade! Word – Fucking – Rescue. Childhood.

The next poem I can celebrate written by baby-me is even older than that one. I remember that I had a Disney spiral-bound notebook/journal, kind of flimsy, but I filled it with poems. If my memory is right I was seven or eight years old when I wrote this one in that little But I might also have been nine. This poem is DARK. I attribute that to the fact that I was reading a lot of books and just kind of going along the same thematic lines. Still…it’s got killer rhythm for being written by a BABY.

War
(written by 7, 8 or 9yr old me, in my little Disney-themed journal)
The wind dances around my cheek,
the smell of war still raging.
In which the tides of blood run cold
from bodies laid beneath me.

As I sit here upon my horse,
the anger forth has brought me.
I cannot say this was the day
for which my heart does trust thee.

Through many cold and sleepless nights
I lay awake, not dreaming.
Visions of battle, sure to be lost,
of never ever breaking.

I stay upon my stallion
though death is at my heels.
My sword in hand.
My soul is bleak.
My destiny lies still.

I hope someday so far away
I will forget this tale I tell,
of death and war, of souls no more.
To this I write so frail.

Rewatched hundreds of times in childhood. Thanks Disney.

And maybe one last one from Baby Jessica. Though this poem is more like from pre-teen Jessica, when I was twelve or thirteen years old. I may have even written this one in my eight-ball spiral bound notebook with black paper that you could only write on with Milky Gel Pens – in Metallics!!

250 – The Toll
(12yr old or 13yr old me, 250 is the number of the poem…because 249 poems came before it…yeah, I wrote a lot.)
Watching daily ocean tides
Sweep into the darkened depths
A memory, or more than that
Is so much to be lost, not kept

Forgotten brilliance plays the eyes
Among sweet salty ocean crests
Piano’s tuneless melody
Tears a heart so near to rest

Reflections find the wounded soul
Which time and wind can both caress
But lost is all that used to be
The rolling mists could not weigh less

And every step will disappear
And the beach is spreading on
Too late to wade into the past
When all the years are gone

Watching daily ocean tides
The crying fades away
A memory, or more than this
To live another day

— Did I mention that I wrote as if I had already lived to be like 40 or something? I literally wrote so much about my ‘innocent childhood days’ being behind me. I was a baby! It’s cute and a little disquieting. But mostly cute.
Hope you enjoyed my reverie down memory lane and into the annals of baby-me poetry!

The Great Unknown

a poem about grief

The Great Unknown

Our lives are full of wholes.
That time you sat and watched the ants build something out of dust
and the sun shined on your back
and a breeze tickled your neck
and the world was whole
and the one nurturing you
they called to you and held you close
and surrounded you with love.
A bundle of abundant wholeness.

And then grief arrives to stay
in little ways
or enormous
loss
death
aching hearts punctured
and
we spill out and leak out
through
perforated souls

But if we had no holes

where would the stitches go?

To sow the mess together
to make sense of what we know
and what we
cannot.

We are fragments spinning wildly through dark matter.
We are small creatures
building something
under a warm sun
and a cold sky.

So why is there any pretending?
That we are not at home with grief?

We are sown together, you and I,
with threads that weave through every empty space.
Our hearts carry the outlines of
everything we’ve lost.
What’s left
is the pattern to follow
to make meaning
of this flock of moments streaming by
everyday
migrating away away away
to another land
to a yesterday.

We are brought together by our hole-y-ness.

We are just one stitch away
from connection.

Come heal with me.
Pull me tightly to you
to mend and patch my heart.
I promise I will lay my fingers gently there
where you are hurting.
I will bare my stitches
and honor my grief
while you bear yours.

And we’ll know each other by the shape and depth of our feeling
and recognize that love is abundant
even when it is out of our grasp.

(9 October 2018) Jessica Austin

A Place on the Water (original poem)

 

A Place on the Water (poem, written on 24 June 2018 @ Seametrey Leisure Center Kandal Province)

When have you been broken?
You,
my small thing

Like the stalk of a wild water lily
caught
snapped
by the whirl and knash
of the boat’s rudder?

Have you floated?
uprooted
on the mirrored surface of the lake?

Have you burned?
pierced
by the blinding sun, unfiltered through pure sky?

Have you exhaled
and
forgotten?
the mud — roots, growth, renewal, home?

Have you stared up at the sky
from beneath the ripples
and twisted
in misery
anxiety
loss?

Have you exhaled
and
remembered?
the place where you come from?

When you are broken and broken
again and again
my small one,
see the water
it brings life
feel the mud
it brings hope
and breathe the sky
touch the sun

because it is new.
It is always new.

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Snake Oil (poem)

Snake Oil

Stop trying to convince me that I am not worth happiness.
That I am not worth my own safety.
That it’s my own issues that are keeping me from accepting my place at sole of your shoe.

You say “Other people choose despair, so why can’t you?”

This poison that you hold in your claws while you try to pry my lips apart
It isn’t medicine
It isn’t necessary
It isn’t

Good for me.

Close your goddamn mouth the next time you say
You are doing me a favor.
The next time you say
You really need this kind of thing for your life.

I don’t need harassment.
I don’t need to be told I am dispensable.
I don’t need to be told that I am not worth a passing thought.
That I am just a body
Filling a void.

I definitely don’t need to be convinced that I am
broken
demand too much
make it all about me
impossible to talk to
won’t take orders
impossible
to
command

to

silence.

You don’t know me. So you don’t know this about me.

That I already went to war with my demons
self-doubt, disapproval and imposter syndrome
That I know what their voices sound like
And how to love them back hard enough
So that when they weep
It’s out of relief
that they don’t have to scream anymore.
They can just be
quiet.

When I walk away from you, you’ll be quiet too.
That’s really how it should be.

Listen to me.
Hear me when I say,
I’m done.

[Written April 2018]

[Notes – you ever had one of those really toxic people in your life? Maybe a boss, maybe a friend, a lover, a family member? That’s right, of course you have because it’s a universal experience. This is one of those poems you have to write because maybe you can’t say anything like this to their face. There are some bridges you want to burn but you have to live with – at least for some time. So this is me when I’m just fed the fuck up.]

Demonstration – a pirouette (video)

When I witness Spoken Word poets, Slam poets, artists, it is literally the best thing ever. For so many reasons. As a poet for a long time, since I was 10 years old, I know it takes so much practice, editing, and effort to get something ready to share on stage. Here is one such effort!

[Scroll For Video Below Text!]

A Demonstration…Pirouette

The way the words work
whisks a rhythm like an egg yolk
a dancer, bathed in gold
leaf, slimy covered moss
smothered stone
alive, ancient

since we’re talking about ancient:
which came first, the chicken or the egg?
It’s an egg this morning,
you don’t know, but I dropped one
as I wrote this it flowed out of me with iron-red skirts surrounded
drowned in fertility and
mis-matching the rhythm of sex
Always just out of step

Like the day it happened for the first time
and my childhood rhymes faltered and fell out of tune

I’d never written a poem about bleeding.
And I had written a lot of poems.

On and on came the other things, unexpected as a pair of wings that don’t fly
bigger boobs, hips, imbalanced body, lips
that stung with dreams and desires
that terrified me

me, once a ballerina
then a body betrayed in plain sight
Too many eyes alight on my frame
on too many soft places on top of too many rigid heart beats
swaying feet,
countermeasures and leaps
and landings
I gave up on dancing
when I was fifteen when a little boy in the audience yelled out in the theater,
“Look at her boobs bouncing! Her boobs!”
And he laughed and laughed while the music died inside me

But the measures and the mood persisted

Incandescent.
They twisted me up through language, syllables,
songs arrested my imagination
throngs of people living under my skin
people I had never been or had yet to be
who shook the pages of poems bleeding out of me
I did not give up the pen.

Ink forms a chain
link after link
Words form the geography and contain
what is purely uncontainable
a claim
on my body.

Then how is it that white supremacists are entering my poetry?
Crawling in through my skin
my capillaries
and my cavities?
They live on flesh, like zombies,
but their spirits are dead.
So they alive-haunt me, in all the hiding places in history
the ones that hide in plain sight.

There’s a white girl out there in a body like mine
she raises her arm
and salutes white power
salutes the disease of dehumanization and subjugation
that come along with that stance.
At a glance, she puts me on her team.
Counts her blessings and bottles her fear like snake oil.
Here, it’s good for you.
a body coded, labeled, counted for causes of cruelty
a body that is a dancer
a body of poems
a body of unrestrained sexual energy
and a white woman’s body
some body who benefits from the privileges that white nationalists would kill to maintain
except they don’t have to
because when they look around
they assume we are on the same team
and while we say nothing, our bones asleep and our tongues dull
they march from the margins
they demand a violence that is unfathomable
in its brutality
unfathomable if it doesn’t cost you and your loved ones everything
because it takes everything

As a woman, a dancer, a writer, a human
I want to make you uncomfortable
The words I spin with now are aggressive, historical,
they are not only my own, but they are undeniable
that ancient being calls for justice and will not be silenced
as she dances
dressed in vines and calling for us to get in line
and loving us but screaming at our humanness
to stop taking its fucking time

The claims on my body are over, it’s done.
I say to those white terrorists,
Your hatred is a cautionary tale
and your time is up.

Humanity flows in me like my moon blood,
empathy and grief and my capacity to grow life inside me
to heal and to celebrate the broken
the thriving
the dancers and the rhythms that we dance to
the striving
for our utopia
the one where my liberation is bound together with yours
the one I will fight for even when I am nothing but a gleeful ghost pirouetting on their segregated graves
a dancer bathed in gold leaf, slimy covered moss, smothered stone.
But I am alive to help whisk the words like an egg yolk
a world
about to be born.

When My Older Sister Visits

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I always pretend I have a sister

She’s just out of reach, out of touch
because she took a new job and lives far far away doing the most important things
that help all the people in the most important ways possible.
She’s a master task monster.
And I blame that for taking her far away from me.
So far away that she can’t let me know what she thinks of me,
of what I’ve become.
But she sees me, she knows.

I met my sister once.
That time on a breezy, spring green, grass covered hill
the granite boulders notched into steps
rising up and up and up above the valley floor.
At the top, a hill
a place where lanky limbed pines consulted each other for wisdom.
Their shadowy needles nodded in the wind, or they shake their heads, sighing.

I didn’t know she would be there, didn’t plan it.
A place where our eyes, hers and mine, would surrender to infinite depths of horizon.
I could see for miles.
We could see the rounded backs of giant emerald tortoises paused in thought
on their march across the dewy world.
Or so it seemed that way.
That ancient beasts, enormous, the size of hill tops had fallen asleep when the Earth was new.
–there– hunched in stoney shells
millenia of flora had crept up through cracks in the scutes
and transformed the armored backs into lush forests stitched with vines and ferns.
Their presence impenetrable and utterly lifelike
one after another cascading deeper through translucent veils of sky.
My sister and I

both understood at that instant, in a way we never had before,
our infinite mortality
the piercing reality of being consciously alive
with a knowledge of death

Here we are, a vigil held with primordial hills
who will one day wake
and find our entire existence
a brief and fascinating dream.

We didn’t have to speak of this.
In fact, I couldn’t see or hear her.
And I wonder if she felt my chest clench when I fell to my knees
when my fingers sunk into the damp dirt to grip the roots of grasses
the grasses that grow at the top of the world.

What did she think of my wet face, the gush of tears some kind of sign of something uncontrollable spilling out of me?

She couldn’t say.
But we both knew what we knew.
And I could breathe, gasp even, the relief
to be in the presence of her silence.

Years of my life I had berated her memory.
Unleashed my well-worn demons on her.
All the lost pieces to the puzzles.
All the lost pieces to the girl.
The unfinished me, the ideal person just out of my reach.

Why did you leave so early?
Before I knew anything? Before I felt safe to figure it out on my own?
Before I met you?

All those lost things you could have found

if you had lived.
I would be different

if you had lived.

But she only occupied an infant-sized space in this world for three months
before an accident happened, took away her breath, her little life
and changed everything.

I came along, shortly after, born into the wet, messy grief of my mother and father
who had just lost a child a year before.

I think Katie’s gift to me was grief.
A powerful loss that never allowed me to feel comfortable.
I always knew she had died. That she was dead.
But I always pretend I have a sister.

She, who came to all the realizations before me.
Racial injustice, legacies of colonial inequality, feminisms, class discrimination,
intersections of identities and communities and the land
love, compassion, and trauma that can be healed.

I imagine that she knew all these things before me,
and she’s just waiting and waiting to meet me again in the quiet.
To greet me there,
in the place where I accept silence.
A petal unfurling in the world
to be
to just be
to listen.

Listening as an act of work, a way to be in the world.
A step towards reconciliation.

I met her that one time
at the top of the world
as I imagined all the listening she’d been doing
and all the things she didn’t have to say.

She just exists, and she knows
that while I will always try be something essentially me and something essentially better
she knows I will be alright.

Urban Bliss

The wind is soft and cool.  The sunlight, strong and steady.

We careen down the narrow streets of Phnom Penh.
My motodop driver is middle-aged.
His burnished hands tense and relax in a rhythm that is second nature.
He dips and winds around traffic like he’s been at it all his life.
At least, this era of his life.

An enormous, unseen paintbrush blends swaths of tarmac-black heat and cloudless sky-blue onto my skin.
The colors race down my arms as we shoot across the boundaries of one neighborhood to the next.
Tuol Tom Poung
Boeung Keng Kang
Riverside

Do I love this city?

The way we navigate an intersection with the practicality and grace found in a chaotic, rock-filled stream.
The way stoplights mean very little in this unstoppable confusion.
The way horns sound off: introductions, interruptions, greetings, warnings.

Sunlight bounces in between the vulnerable spaces
The empty air between apartment buildings penned in by braided electric cables.

Webs of cracked paint give character to balconies
where just-washed underwear and stiff-necked shirts peek out of the shadows.

I strain to catch a glimpse of an aged cinema, an old building.
The neon signs were stripped years ago.
Audiences have come and gone.
Only dust and specters remain.
They hang in the air around the things that have been replaced,
hang in the memory of the people who walked here before.
I look away when the past comes on too strong.

At eye level, in every direction, sea-green fabric ripples in the breeze.
The beautiful disappointment of construction netting.
It billows and crests and speaks of the ocean.
Extending for stories and stories into the air, swaddling terrifying iron beams at terrifying heights
Like cinematic pirate-ships
Docked in every neighborhood
To plunder the lifelines of one generation after the next.

I’ve heard people speak of a time when the city was full of ponds and plants and life-affirming treasures.
Then sand displaced water, one inch at a time.
Dust and rebar displaced aqua-culture.
And even now, as people flow through the city like rivulets in a rainstorm,
their eyes seek the past.

My motodop driver has two metallic teeth – one on each side of his mouth.
They glisten and glitter when he smiles.

When I disembark, we exchange a few words in Khmer.
I could say so much more–I know the words–but I don’t use them.
But I say, “Thank you.”
And he nods before flowing back into the traffic and away.

I don’t know how other people catch momentary happiness.
But in these moments, electrified by the sun and city,
I don’t focus on my swollen, child-like tongue.

Because there are small joys. And that is enough.